Reviews

After the Umbrella Era, Turning Inward

Yvonne Yevan Yu watches Last Exit to Kai Tak

Edward Lau Wai-tak runs up the back stairway of a government building, followed by a team of supporters. He tries one locked door, then another. As a district council candidate, he's there to demand a meeting with officials, whom he says are evading their appointment. He curses at them, puts his weight on a door handle, and it opens. “Go through here,” he says urgently.

With elections only a few months away, Lau and his team are protesting the cutting down of four century-old banyan trees on Bonham Road in Sai Wan district, Ed Lau's would-be constituency. Growing out of stone walls, anchored by sprawling roots, the trees are a local marvel. But when earlier we see Lau, a businessman-turned-politician, standing in front of the stumps with a megaphone and a rallying cry, one can't help but feel an incongruity with his platform, that he is campaigning on an outsized sense of proportion. But it’s not just about the trees.